Recurring Images and Motifs in crown of thorns Brooklyn Ferry In the song Crossing Brooklyn Ferry, by Walt Whitman, there argon m whatever recur images and motifs that nooky be seen. Whitman develops these images without the course of the metrical composition. The approximately superior of these atomic number 18 the linear notion of cartridge clip, contend roles, and nature. By examining these motifs and shadow their development, ones understanding of the poem becomes highly deepened. Whitman ch on the wholeenges the linear notion of cadence by connecting past with future. This can be seen in the starting age stanza, as the poem opens: And you that shall cross from shore to shore years hence are more to me, and more in my meditations than you king suppose(4-5). This lets the commentator know that he has written this with the geter in mind, even ahead that reader existed. He challenges time by connecting his time with ours. He has preconcived us read ing this poem. When we read his words we are attached to him and his feelings, all in the alike(p) time. He is sure that after he is gone the pee will be quiet lead and people will still see the shipping of Manhattan/and the high of Brooklyn (14-15). He makes his past and our futher all one.
No matter the time nor the distance, the reader will survive the said(prenominal) way he experiences at the moment in time he resides: Just as you feel when you find out on the river and sky, so I felt, Just as any of you is one of a life sentence crowd, I was one of a crowd, Just as you are refreshd by t he gladness of the river and the bright flo! w, I was (23-26). This same motif follows through to the next stanza, as he continues to emphasize how things are the same to him as they are to those of us interpreting the poem. By vestige this motif we see that no matter where we are or how far away from... If you wish to get a dependable essay, order it on our website: OrderCustomPaper.com
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